Simon McDonald

Review: Head On by John Scalzi

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This long-awaited second book in John Scalzi’s ‘Lock In’ series is a murder mystery set in a robot fighting league. And yes, it’s worth the wait, says our bookseller Simon McDonald

Years back, John Scalzi released the novella Unlocked: An Oral History of Haden’s Syndrome, which detailed– in the oral history format contemporaneously brought into fashion by World War Z — the onset of a flu-like virus that swept the globe, eventually known as Haden’s Syndrome, which is a devastating meningitis-like disease that leaves its victims “locked inside” their body, able to interact with others only virtually or via sophisticated robots known as “threeps.” Then in 2014 came the first book in the series, Lock In, which introduced Rookie FBI agent and Haden survivor Chris Vance (whose gender is never specified in the text, thus ingeniously leading the publisher to release two versions of the audiobook), and their new partner, Leslie Van. Now Vance and Van are back in Head On, which works perfectly as a standalone sci-fi detective-thriller, but adds much to the world Scalzi began building almost half a decade ago.

When promising Hilketa player Duane Chapman inexplicably dies during a game intended to recruit new investors for the sport, and a high-level league official commits suicide soon afterwards, Vance and Van are brought into the investigation. Hilketa is a violent sport — and that’s putting it mildly, by the way — played by Haden-piloted threeps. The objective of the game is to rip the head off a designated threep and carry it to the goal. Yeah; it’s brutal.

Scazli is less concerned with the mystery — it’s fairly obvious at the midway point who the killer is — but untangling the means and motivations of the killer. The author doesn’t shy away from commentating on prejudice against minorities, disability rights, and the way in which government funding can be taken advantage of, but it never dulls the hilarious banter, or grinds the bullet-fast plot. It’s delicate balance, and Scazli nails it.

Head On is an engaging mix of real-world politics and near-future policing. Filled with detail and imagination, paced with action and witty dialogue,  Scalzi takes his readers on a white-knuckle ride but never leaves them for dead. This is science fiction at its absolute best.

Buy the book here >>

Review: Redemption Point by Candice Fox

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Candice Fox, arguably Australia’s finest crime writer, has penned another taut and seductive thriller with Redemption Point.

Reviewed by Simon McDonald

Redemption Point, the standalone sequel to 2017’s Crimson Lake, is meticulously plotted and magically propulsive, and shows precisely why Fox is the poster-woman of Australian crime fiction.

When former NSW Police Detective Ted Conkaffey was wrongly accused of abducting thirteen-year-old Claire Bingley, he disappeared to the steamy, croc-infested wetlands of Crimson Lake in Queensland, where he met the brilliant, but slightly deranged, Amanda Pharrell; an accused and convicted murderer operating as a private detective.

Following the events of Crimson Lake, Conkaffey and Pharrell,  now investigative partners, are called to a roadside hovel called Barking Frog Inn, where the bodies of two young bartenders have been found, apparently victims of a robbery gone wrong. Hired by the father of one of the victims, Conkaffey and Pharrell ignore the warnings of the local cops and insert themselves into the investigation. But Ted’s attention is quickly diverted elsewhere when the father of Claire Bingley — the young girl he supposedly abducted — arrives in town seeking vengeance.

With precision and clarity, Fox unravels two disparate, but equally unsettling and compelling investigations. Ted Conkaffey and Amanda Pharrell are wonderfully epic heroes; tough, taciturn, yet vulnerable, and bolstered by a colourful supporting cast, whose aspirations and intentions are shrouded in mystery, purposefully enigmatic until Fox chooses to unveil their true natures. She merges a labyrinthine plot, deft characterisation and top-notch police procedure into a gut-wrenching, wickedly-addictive page-turner. There is no author writing today more capable of producing such well-assembled time bombs that demand reading long past bedtime. Seriously, those final hundred pages need to be swallowed in a single gulp.

Redemption Point by Candice Fox is available now.

Review: The Immortalists by Chloe Benjamin

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Simon McDonald reviews Chloe Benjamin's 'The Immortalists'.

New York, 1969. The Gold children – Varya, thirteen; Daniel, eleven; Klara, nine; and Simon, seven – visit a psychic in a grimy tenement building on the Lower East Side. Rumour has it she can predict the future; actually proclaim the date you will die. Which is both a terrifying and alluring prospect for the siblings; ultimately one too tempting to ignore. So they divvy up their allowance and make the trip. Find their way to the psychic’s door. Knock. One by one, the Gold children enter the psychic’s den. One by one, they learn their fate. And then live with this knowledge, festering in the back of their minds, a countdown to their own personal doomsday.

Chloe Benjamin’s The Immortalists asks readers to consider how they would live with a clock ticking inside their head, counting down to a hypothetical irreversible endpoint. Would you live life to the fullest? Intentionally partake in hazardous activities, placated by the assurance your time hasn’t yet come? Or would you live a sheltered life? Protect yourself, cocoon yourself, saddled with this unwanted burden. Perhaps you’d reject the prophecy entirely; just live your life the way you want to, balanced between carefree and considered, as most of us do. The Gold children are fine projections of possible responses to such a scenario, with very different mindsets and responses to their fates.

The Immortalists is split into four sections, each focusing on a different sibling, but various secondary characters weave through these episodes, some in a more contrived fashion than others, in an attempt to accentuate the drama. Despite a couple of instances of events tying together a little too coincidentally, Benjamin’s novel is never anything short of compelling, and these minor flaws are completely overrun by the richness of its characters. The subtleties of their differing stances as they wrestle with the magnitude of knowing the date of their death is exceptional. Ultimately, while the ‘ticking clock’ element of the tale adds narrative impetus, readers’ emotional investment is garnered from their hope that the Gold’s fractured relationships can be healed before it’s too late.

The Immortalists is the kind of brilliant novel that swallows you whole, forces you to live in its world even when you’re not turning its pages. A meditation on predestination and guilt, this family saga might’ve landed in bookstores in January, but it’s one readers will be thinking about until the end of the year. I expect to see it on several ‘best of’ lists.

Buy the book here...

Review: The Chalk Man by C.J. Tudor

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Simon McDonald reviews the debut pyschological thriller by C.J. Tudor, The Chalk Man.

With The Chalk Man, C.J. Tudor has crafted a slick, razor-sharp novel of psychological suspense, which dangles the possibility of a supernatural influence on events sparingly enough to keep the story rooted in reality. This is a tense, cleverly-constructed thriller, and debut author Tudor deftly unspools the harsh realities of stale, childhood friendships, humankind’s capacity for debauchery, and the pain of confronting the past, even as she unravels her tautly-plotted mystery. The Chalk Man is book that will appeal as much to readers of Paula Hawkins’ The Girl on the Train as it will Stephen King enthusiasts looking for something to rival Misery, and provides some not-so-subtle winks at the grand-master’s It.

It opens in 1986, when Eddie Adams, a seemingly average twelve-year-old, who hangs out with his mates (using chalk messages as secret codes), does his best to outrun local bullies, and stay out of the lives of his parents (his mother is an abortion provider, and her father is a struggling freelance writer) finds the decapitated and dismembered body of a local girl. In the current day, 2016, Eddie is now an insular school teacher, who is contacted by someone from his past claiming he knows who really killed the girl. This alone might not be enough to instigate a personal crusade, but when chalk, and chalk symbols, start appearing around the quiet village Eddie has never moved away from, it’s clear someone has an agenda.

The Chalk Man flits between events in these timelines, exposing how Eddie’s various relationships have changed, painting a portrait of a man with secrets of his own, even as he seeks the the truth about what happened two decades ago. These chapters — short and sharp, which always end on cliffhangers — build momentum, and a propulsive page-turnability veteran suspense writers will envy. Readers will question the motives — even the sanity — of every character who appears in these pages, and that includes Eddie. Vitally, Tudor doesn’t attempt too many genre hijinks or red-herrings to bolster her narrative; her vision is clear, her storytelling is crystalline. The Chalk Man is tour de force, a blistering novel of psychological terror and menace.

The Chalk Man is available now.